#Repro 5 xpressive vst full#
They are organized using u-he’s tag system, and the sounds make full use of Repro’s stunning onboard effects, so many of the patches are ready to go into a track.
#Repro 5 xpressive vst mod#
I then tried to create fresh, original sounds by using and abusing many of Repro’s advanced features, such as those hidden in the tweak page, and by experimenting with new modulation ideas in the mod matrix.Īll of the patches have advanced performance controls, so new sounds can be accessed by using the mod-wheel to change parameters. These include lush strings, warm brass, and fat basses, as well as some of my favourite patches that I’ve previously created within my articles. I first set out to create all my favourite Sequential sounds in Repro, using the sound engine and onboard effects to make them all sound as good as possible. This collection of Repro Presets focus on useful, inspiring sounds that are fun to play and sound amazing.
#Repro 5 xpressive vst pro#
I’m also very happy with the FX and LFO patches, similar to those in the Meridian library, with all kinds of beautifully complex and wonderfully weird blips and bloops and other oddities that defy classification.The u-he Repro synths are based on the Sequential Prophet-5 and Pro One synths, which should require no introduction. Speaking of fizziness, Synth patches are in no short supply, with a number of percy, bubbly vintage poly sounds including lots of highly-resonant filter sweeps and shimmering chorused plucks and bells. These are especially delicate, velocity sensitive electric pianos and hybrid organ sounds, often with a touch of fizziness. Kuassas Neve & Pultec EQ plugins 50 off for limited time. Very warm, very subtle, and surprisingly enough, very modern. Xpressive features a collection of sounds for the Repro-5 virtual analog synthesizer by u-he. In fact, they might be some of the most useful keyboard patches I’ve laid ears on. In fact, several of them are rather minimal and dark, as are a few leads. But not all of the basses are “in your face”. The Leads and Basses are noticeably more aggressive, especially the basses, some of which will cut through a mix like a hot knife through warm butter. Most of these atmospheres are unabashedly warm, mellow, drenched in reverb and overflowing with analog character, as are a lot of the Pads, even though there are a few distinctly “fuzzy” vintage string machine-type pads in there also. The Atmospheres are reminiscent of the “Ambient” patches in Meridian they have that same pillow soft dynamic and focus a little more on texture rather than long attack and release times, even though there are a number of enormous swells on offer. Metropolis contains 150 patches split up into 8 categories… 2 oscillators, noise generator, a 4-pole resonant lowpass filter, 2 envelopes with velocity, one LFO, voice & wheel mod and voice detune. Metropolis picks up where Meridian left off, plunging us back into the dark cinematic landscape we all know and love, but with a noticeably futuristic urban flare, hence the title… Urs Heckmann and his team did not try to implement new extraordinary features in the Repro-5 but focused only on the core points of the original instrument. I’m mesmerized by his subtle sensibilities and expert use of effects, and his latest creation for Repro-5 is certainly no exception. Stephan Baer a.k.a Sonic Underworld has quickly become one of my favorite sound designers since I became familiar with his work on Repro-5 Meridian, which I reviewed earlier this year.
Metropolis by Sonic Underworld is a sound bank containing 150 presets for the Repro-5 virtual synthesizer by U-He. No static samples pure synthesis delivers natural, expressive sounds Featured in blockbusters The Dark Knight.
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